![]() At the top of the list of Disc One’s killers is “Ain’t No Other Man” - a zoot-suit riot of a song that, like all the best stuff on Disc One, was produced by DJ Premier. Aguilera succeeds in balancing references to jazzbos and soul singers - horns, gospel choirs, the sound of a dusty old vinyl album - with over-the-top kitsch. The spirit of old-school jazz, blues and soul inhabits the set, which is divided into two discs: a collection of modern, beat-driven tunes and another rendered with only analog equipment, recorded live and sans samples. ![]() Perhaps it was inevitable: She married a nice Jewish guy, overhauled her style, kept it low-pro for a couple of years and re-emerged looking like a 2006 Lana Turner in Christian Louboutin pumps.įor her third studio album, Back to Basics, Aguilera demonstrates that the fetish extends beyond her wardrobe. Despite Christina Aguilera’s claim in the new song “Still Dirrty” that she’s “still got the nasty” in her, it would be fair to say that the girl in the assless chaps has undergone a serious de-skankification since her 2002 album Stripped.
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